The Bib Record in the Age of Digital Reproduction

Abstract

Taking both structural and thematic inspiration from Walter Benjamin’s “The Work of Art in the Age of Mechanical Reproduction,” this article posits that the movement from physical card catalogs to ALSs [Automated library systems] and ILSs [Integrated library systems] was not solely the result of technological progress. Rather, this transition had its genesis in a process Marx called primitive accumulation—in this case a form specific to the library profession. In other words, this article seeks to recast the history of digitized catalogs within libraries, seeing them, first and foremost, as harbingers of disenfranchisement and dispossession, specifically of catalogers. The article then turns towards a broad critique of the scientifically progressive tilt within the field before ending with a call for a more skeptical form of librarianship, one that privileges the well-being of library workers over technological advancement.